AUDREY HEPBURN
~ Ain�t she loverly ~

In a cruel and imperfect world,
she was living proof
that God could still create perfection.

~ Rex Reed ~

I probably hold the distinction
of being one movie star who,
by all laws of logic,
should never have made it.
At each stage of my career,
I lacked the experience.

~ Audrey Hepburn ~

I fell in love with Audrey Hepburn
the moment I watched her play
the runaway Princess Anne
in Roman Holiday.

She made an instant impression
of elegance, of class, of grace ~
the manifestation of true beauty
from within and without.

I can think of no other actress
who can project as much radiance and charm,
with the exception of the young superstar,
Natalie Portman.

Audrey is the enchanting
doe-eyed young woman
with impeccable breeding
and crisp intelligence,
who provided a much needed
breath of fresh air to theater audiences ~
a delightful alternative
to the lush full-breasted prototype of the day.

Audrey was slender, exceptionally fragile
with just the right bit of tomboyishness.

"After so many drive-in waitresses,�
director Billy Wilder commented,
here is class, somebody who went to school,
who can spell, and possibly play the piano.
She's a wispy, thin little thing,
but you're really in the presence
of somebody when you see that girl
.�

Audrey was born
Edda Kathleen Hepburn-Ruston
on 4 May 1929 in Brussels, Belgium
to Baroness Ella van Heemstra debonair British financier
Joseph Victor Anthony Hepburn-Ruston.

Little Edda, a plump baby girl,
joined Jan and Alexander,
Ella�s two sons from a previous marriage.

Within six years,
Joseph Hepburn-Ruston
deserted his family
and divorced her mother.

I was destroyed at the time,� Audrey said,
and cried for days and days.
My parent�s divorce was the first
big blow I had as a child.
I worshipped my father
and missed him terribly
from the day he disappeared.
My mother had a great love for me,
but she was not able to show it.
I had no one to cuddle me
.�

Ella took her children to Arnhem
in the Netherlands,
then to England in 1937
so Audrey could get a British education
and back to Arnhem
when World War Two seemed imminent.

Young Hepburn took ballet
at the Arnhem Conservatory
and replaced her baby fat
with her characteristic straight posture
and long strong legs.

The second memory I have
after my father�s disappearance
,� Audrey said,
was my mother coming
into my bedroom one morning,
pulling back the curtains and saying
�Wake up ~ the war is on
.��

The German occupation
was difficult and dangerous
so Audrey and her mother
never spoke English
or mentioned their British connections.

Audrey performed underground concerts
to raise funds for the Dutch Resistance
and served in the capacity of
secret courier
hiding messages in her shoes.

I had very little real youth,
few friends in the usual teenage way
and no security
.� Audrey explains.
Is it any wonder I became
an interior sort of person?
I think I was older in those days
than I am now
.�

The slender Audrey
became malnourished
as food became scarce
developing anemia
and swelling of the legs.

Adding to the physical pain
was the emotional trauma
of seeing her uncle taken away
and later shot by the Germans,
seeing one of her brothers
sent to a labor camp
and many Dutch Jews forcibly deported
to Nazi concentration camps.

Years later, Audrey was asked
to play Anne Frank
in the film version of the Broadway play
based on the young Jewish girl�s famous diary.

Refusing, Audrey said,
I don�t want to profit from a saint.�

After an Allied assault on Arnhem
in September of 1944,
the Germans forced the remaining civilians
to leave and Audrey and her family joined
a forced march of 100,000 townspeople
into the countryside where there was no food.

Audrey and other young children
dug up frozen tulip bulbs to eat.

Later to escape the Germans
Audrey hid in the cellar of a burned house
without food or water,
where she developed jaundice.

After liberation her health was restored
in part by food and medicine supplied
by the United Nations Relief Administration,
the forerunner of UNICEF,
a gift of humanity she never forgot.

Audrey and her mother
moved to Amsterdam
and then to England
when Audrey was accepted
at the London Ballet.

Arriving in London
with less than 100 dollars between them,
Audrey went to work immediately
modeling hats and dancing in a posh nightclub
while she studied ballet.

The truth is,� explained Audrey,
I had no idea of what I was getting into
when I decided Mother and I
should go to London. But I did think
that changing my name would give me a boost.
Edda had been through too much already
.�

It was at this point in time
that Edda became Audrey.

Audrey got work as a chorine
in High Button Shoes
and several small parts in the films
The Lavender Hill Mob, Secret People
and Monte Carlo Baby for which
she went to Southern France
for the filming.

While romping on beach there
she was spotted by Colette,
who was looking to cast the lead
in her new stage play.

Voil� ma Gigi!
(There�s my Gigi!)

Colette exclaimed.

Audrey�s was on her way to America
and her career was about to take off.

Following her favorable
American stage debut in Gigi,
Audrey's slender elegance was seen
in her leading role of a runaway princess
in Roman Holiday in 1953.

She won the Best Actress Oscar
for her performance in the film
and instant international fame.

Audrey recieved four more
Oscar nominations
in her film career
~ Sabrina in 1954 ~
~ The Nun's Story in 1959 ~
~ Breakfast at Tiffany's in 1961 ~
~ and Wait Until Dark in 1967.

Can anyone ever forget her unique portrayal
of the unrefined guttersnipe, Eliza Doolittle,
in My Fair Lady with Rex Harrison in 1964?

Audrey displayed
a definitive aptitude for cockney,
the particular dialect of English
spoken by the poorer inhabitants of London.

Her singing talent was minimal
and her musical parts
were dubbed by Marni Nixon.

Audrey's appearances in films
were enchanting ~ pure magic ~
because, to put it quite simply,
Audrey didn't have to act per s�.

Audrey just had to be there!

A spirited, incredibly sleek tomboy type,
famous for her ragamuffin manner,
luscious thick eyebrows and bouncy bangs,
Audrey emerged a beautiful, elegant actress.

Perhaps the most photographed of actresses
she defined a unique type
of feminine beauty in her era
that helped set the style
for the slender fashion model
whose derivative is still popular today.

Audrey fell in love with a man
12 years her senior ~
Mel Ferrer, an actor and film producer,
and they were married in 1954.

She gave birth to a son, Sean Ferrer in 1960.

Audrey had five miscarriages
trying to have other children.

Audrey and Mel divorced in 1968
due to irreconcilable differences
partly because of her soaring film success,
his fading success and his need to control her.

She married again in 1969
to Dr. Andrea Dotti,
an Italian psychoanalyst
who was 10 years her junior.

She gave birth to another son Luca in 1970.

The handsome doctor
proved completely untrustworthy
believing he was entitled
to his share of mistresses on the side.

Audrey and the not so good doctor
were divorced in 1982.

The last man in Audrey�s life
was the one destined to stay.

In 1980 she met Robert Wolders,
a handsome actor,
who was recovering
from the death of his wife,
screen actress Merle Oberon.

Audrey called Robert her spiritual twin
~ and slowly ~
they fell in love.

They never married but lived happily La Paisable ~ the place of peace ~
with its garden of lovely white flowers.

Audrey deserved a noble man like Robert
who adored her
and was genuinely interested
in her happiness an well-being.

Their love was unconditional
and they were devoted to one another.

Audrey dedicated most of her time in the 1970s
to raising her children, Sean and Luca,
and film and stage appearances
came few and far between.

Audrey�s son, Sean Ferrer,
is an actor and film producer
and her younger son,
Luca Dotti, is an artist.

In the late 1980s,
she succeeded Danny Kaye
as the official spokesperson of UNICEF.

Her unceasing, tireless crusading
on behalf of the world's children,
much of it in the field,
earned her worldwide admiration.

Audrey's final film performance
was in Steven Spielberg�s Always in 1989,
in which she played,
most appropriately,
an angel named Hap,
dressed in a white sweater and slacks.

It wasn�t a big part, but she made
over a million dollars for her appearance.

She gave most of it to UNICEF,
determined to spare other lives
as her life had been spared
so many years ago.

Audrey and Robert began spending
six months out of each year
touring the world for UNICEF.

The photos that began
appearing in newspapers
no longer pictured
a glamorous movie star,
but a very thin, fragile,
thoroughly exhausted woman
sitting in dusty huts,
cradling dying children,
a former child refugee
who had cheated death
and who desperately wanted
these youngsters to survive.

Audrey fell ill after returning home
from a UNICEF trip to Somalia
in September of 1992.

Doctors performed exploratory surgery
and found inoperable cancer
throughout her abdominal area.

During her most painful last days,
she never once complained.

It�s not that bad,� she quietly maintained
in her manner of pure class to the very end.

Audrey�s passiveness
along with her grace and grit
was no doubt actualized
in the early years of her life
in a childhood that was anything
but tranquil.

Audrey died on 20 January 1993
with Robert, Sean and Luca at her bedside,
each inconsolably devastated
by the enormous loss they shared.

In keeping with the simplicity
that always characterized her life,
she was buried in a plain oak coffin
in the cemetery of her remote Swiss village.

A pinewood cross marks her grave.

Audrey was posthumously awarded
the Jean Hersholt Humanitarian Award in 1993
shortly after she succumbed to colon cancer.

Audrey Hepburn was the consummate actress
a grand, elegantly cultivated lady
and a genuinely unselfish,
truly benevolent humanitarian.


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